Cast: The Faerie Full Name: Ariel (First, last, and only name, but his driver’s license says “Ariel Prospitus”) Nicknames: Ari Birthdate: 21 June Visible Age: mid-20s, but actually about 300 Zodiac: Cancer
Distinguishing Marks: A little thinner/leaner than what is healthy, with slightly longer limbs. Unusually graceful, but he often takes care to hide that with a bit of klutziness. Voice: Peter Wingfield Hair: Black Eyes: Brown Height: Average Weapon: Hustling people, fast talk, some little magics (limited mostly to glamouries, illusions, and making self or others seemingly invisible) Weaknesses: Women, although uninterested in sex, cannot cross water, unless ordered by an employer Fears: Ceasing to exist, being bound to something and not being able to get away if needed, crabs, flocking song-birds
Nationality: British citizenship Race: Faerie Occupation: Part-time hustler. Odd jobs when he needs them. Status: lower-end of the blue collar Excels at: Hustling, fast-talk Secondary skills: finding unique escape routes, causing trouble
Orientation: Uninterested in sex, but does like women. (Mostly to charm, then weasel OUT of their bedrooms.) Family: N/A Lover(s): N/A
Likes: being clever, just being able to trick/charm/hustle people, having freedom, having money, women Dislikes: Boorish and easily angered men, rivers (he can’t cross them), crabs, flocking song-birds, being stuck in one place Bad Habits: trying to hustle the wrong person, casting small illusions when bored, Back Story/Bio: Ariel was summoned to the earthly plane sometime in the sixteenth century by a sorcerer marooned on an island with his young daughter. His job was generally helping the sorcerer and keeping an eye on the daughter (thus, the fondness for women). Being new to the material, several little mishaps occurred, including Ariel being swarmed by aggressive song-birds, and being pinched by a crab. He developed an intense dislike of both things. During Ariel’s seventh year in the material, a ship took shelter at the island during a great storm. The daughter ended up falling in love with one of the passengers, and all on the island departed for Europe. Not long after arriving in Europe, the sorcerer decided to give up his trade and release Ariel. Unfortunately, by the wording of his spell, the sorcerer did not release Ariel back to the immaterial, and left a number of his coercion spells in place. Notably, the one that forbade Ariel to cross any body of water without the explicit direction of an employer of some sort.